Filmvorführung
Freitag, 19. November 2021, 18:00–20:30 Ushiku: Special Preview screening ahead of Japan Theatrical Release Ausgebucht!
‘Ushiku’ takes viewers deep into the psychological and physical environment inhabited by foreign detainees in one of the largest immigration centres in Japan. On the eve of Japan’s recent – and highly contentious – immigration reform efforts, the director bypasses the media blackout the government has imposed on its immigration centres, bringing viewers into immediate contact with the detainees, many of whom are refugees seeking asylum. Detainees are held indefinitely and subject to violent deportation attempts by Japanese authorities against a background of the ensuing COVID-19 pandemic and with the spectacle of the Tokyo Olympics looming on the immediate horizon.
Thomas Ash is a documentary filmmaker living in Japan. In his films, he broadly focuses on issues surrounding health and medicine, including two feature documentaries about children living in areas of Fukushima contaminated by the 2011 nuclear meltdown, ‘In the Grey Zone’ (2012) and ‘A2-B-C’ (2013). His recent work has focused on death and dying and includes ‘-1287’ (2014) and ‘Sending Off’ (2019). Thomas served as Executive Producer of ‘Boys for Sale’ (2017, dir: Itako), a documentary about male sex workers in Tokyo.
Director’s statement
I first began visiting the immigration facility in Ushiku as a volunteer and was deeply affected by hearing the stories of some of the people being detained. It was only then that I began to think about how to use the power of film to bring this story to the attention of the Japanese public and the world. My motivation was not to make a film, but rather as a witness to human rights violations, I felt morally compelled to document evidence in the form of filming the detainees’ testimonies; to document their truth.
The death of Wishma Sandamali Rathnayake in March 2021, who had been detained for 7 months at an immigration centre in Nagoya, and the deaths of 16 others over the past 15 years, demonstrates why so many supporters are concerned about the health and wellbeing of people suffering in indefinite detention Japan.
Most of the family names and nationalities of the participants in the film are not revealed, nor is the reason why they applied for refugee status in Japan. This is to protect them as much as possible.
The participants have given their consent to have their faces shown, their voices heard and their stories shared. I am deeply grateful for their trust in sharing their truth, despite the risks. I pray their courageousness and strength will inspire all who witness it to work towards addressing the injustices around them.
Awards:
- Nippon Docs Award (Audience Award) at the 2021 Nippon Connection FF (Germany)
- Asian Perspective Award (First Prize in Asian Competition) at the 2021 DMZ Docs FF (Korea)
- Camera Japan Award (Audience Award) at the 2021 Camera Japan Festival (Holland)
The film (87 min.) is in Japanese with English subtitles. After the film screening there will be discussion with filmmaker Thomas Ash, Professor Ai Kihara-Hunt (The University of Tokyo) and several protagonists in English/Japanese.
Registration is obligatory by November 15 via dijtokyo(at)dijtokyo.org or via https://dij.tokyo/ushiku.
Registrations will be accepted on a first-come-first-served basis. All accepted registrations will be confirmed by e-mail.
Due to the COVID-19 pandemic the number of participants is limited to 100 people. Ample space between the seats will be provided. Free choice of seating.
Please note that you have to be either vaccinated or recovered for attending this event (German ‘2G’-rule, i.e. ‘geimpft, genesen’)
Respiratory masks are mandatory. You can bring your own drinks or buy soft drinks from the vending machine in the basement.
For further information: www.UshikuFilm.com
In cooperation with the German Insitute for Japanese Studies (DIJ) and the Friedrich-Ebert-Foundation (FES).
試写会 『牛久』
2021年11月19日 / 18.00-20.30
映画監督のトマス・アッシュと数人の主人公、そして移民問題の専門家による上映とディスカッション
東日本入国管理センター、いわゆる『牛久』は、茨城県牛久市にある大規模な入管施設の1つである。ここに、難民として保護されることを求めやってきた、多くの人々が収容されている。昨今、日本政府による入管法改正の動きは、様々な議論を巻き起こした。そのなか、制作者は1年と半年間、当事者たちの了解を得て、彼らの助けを求める声を記録し続けた。本作は施設が定めるメディアを含む訪問者への厳しい規制を切り抜け、制作された。収容者を犯罪者扱いし、長期拘束し、家族を分断し、心を蝕み、死に追いやる構造。この作品を通じ、観客は収容者と直接対面することになる。収束の兆しが見えない新型コロナによるパンデミック、東京オリンピック開催を前に、彼らは日本政府による無期限の拘束、暴力的な強制送還のなかにいた。
監督略歴
トーマス・アッシュは、これまでその作品を通して健康や医療にまつわる問題を広く取り上げてきた。過去の作品に、2011年の福島第一原子力発電所事故による汚染地域近隣に住む子供たちを記録した長編ドキュメンタリー『A2-B-C』(2013)。近作では、死に直面する人々に焦点を当て『おみおくり~Sending Off~』(2019)を制作。また、2017年には東京で働く男性セックスワーカーについてのドキュメンタリー『売買ボーイズ』Boys for Sale(イタコ監督)Itako の製作総指揮を務めた
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入場は無料ですが、催しの最後にご寄付を募らせて頂きます。ご協力いただければ幸いです。
場所
OAGハウス東京ホール(東京都港区赤坂7-5-56ドイツ文化会館)
リンク
Website: www.UshikuFilm.com
Twitter: https://twitter.com/ushikufilm
IG: https://www.instagram.com/ushikufilm/